Microphone preamplifiers, phantom power adapters, microphone-level / line-level distribution amplifiers
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EZ-MCP1
Microphone Compressor
- Produces Consistent Levels from Any Microphone
- Installs Between Microphone and Mixer/Amplifier
- Improves Intelligibility with Fast Automatic Level Control
- Controls Overloads that Cause Distortion and Clipping
- Front-Panel Set-Up Trimmer with LED Indicator
- Automatic Phantom Voltage Switching with LED
- XLR Input and Output
- Gold-Plated Connector Contacts
- Simple Setup using LED Indicator
- Exceptional Level Control Range (30 dB)
EZ-MPA1
Microphone Preamplifier - Stereo Output with Compressors
- Balanced Microphone Input on Rear-Panel XLR
- Switch-Selectable Phantom on Rear Panel
- Unbalanced Output on MINI or RCA Rear-Panel Jacks
- Preamp Feeds Left and Right Output Channels
- Front-Panel Compressor Enable/Disable Switch
- Audio Compressor Controls Overloads
- Front-Panel LEVEL Control
- Dual-LED VU Meter
- Optimized for Dynamic or Condenser Mics
- Headroom Accomodates High Input Levels
- Headroom Increases with Lower Gain Settings
- Compressor Limits Clipping Over Wide Dynamic Range
EZ-MPA2
Dual Microphone Preamplifier - Stereo Output with Compressors
- Left and Right Balanced XLR Microphone Inputs
- Switch-Selectable Phantom on Rear Panel
- Unbalanced Output on MINI or RCA Jacks
- Input and Output Connections on Rear Panel
- Front-Panel Compressor Enable/Disable Switch
- Audio Compressors Control Overloads
- Front-Panel LEVEL Control for Each Channel
- Dual-LED VU Meter for Each Channel
- Optimized for Dynamic or Condenser Mics
- Headroom Accomodates High Input Levels
- Headroom Increases with Lower Gain Settings
- Compressor Limits Clipping Over Wide Dynamic Range
FP-MP1
Studio Quality Microphone Preamplifier with Phantom - Terminal block & XLR
- Professional Studio-Quality Low-Noise Performance
- Switchable Internal Phantom Voltage
- XLR and Terminal Block Connections
- Selectable Input Level Ranges
- Adjustable Gain with Dual-LED VU Metering
- Ultra-Compact All Metal Construction
- Convenience of RDL® FLAT-PAKs™
FP-MPA2
Dual Microphone Phantom Adapter 12, 24, 48 V - XLR
- Phantom Adapter for Two Mics
- Selectable Phantom Voltage
- 12V, 24V, 48V Phantom
- Selectable Current for 24V Mics
- All Standard Buildout Resistances
- Ultra-Compact All Metal Construction
- Convenience of RDL® FLAT-PAKs™
HR-MCP2
Dual Microphone Compressor
- Two Independent Microphone Input Compression Channels
- Produces Consistent Levels from Any Microphone
- Installs Between Microphone and Mixer or Amplifier Mic Input
- Line-Level Outputs Permit Operation as Dual Mic Preamp
- Controls Overloads that Cause Distortion and Clipping
- Balanced Mic Inputs on XLR and Detachable Terminal Block
- Balanced Outputs on XLR and Detachable Terminal Block
- Each Output Allows Balanced or Unbalanced Connection
- Independent Controls for Stereo or Dual Mono Operation
- Front-Panel Gain Adjustment from 20 to 60 dB for Line Outputs
- Switch-Selectable 15 dB Input Pads
- Switch-selectable 48 Volt Phantom for Both Inputs
- 7 LED Gain Reduction Meter in 3 dB Increments per Channel
- CLIP Indicators for Peaks 1 dB Below Clipping
HR-MP2
Dual Microphone Preamplifier
- Two Independent Microphone Preamplifiers
- Balanced XLR Microphone Inputs
- Independent Controls for Each Preamplifier
- Switch-Selectable Low-Cut Filter
- Front-Panel 20 to 60 dB Gain Control
- Switch-Selectable 24 or 48 Volt Phantom
- Switch-Selectable 15 dB Input Pad
- Switch-Selectable Polarity Reversal
- Dual-LED VU Meter for Each Preamplifier
- CLIP Indicators for Peaks 3 dB Below Clipping
- Balanced Line-Level Outputs
- Each Output Allows Balanced or Unbalanced Connection
- Each Preamp Output on XLR, ¼” TRS or Detachable Terminal Block
- Separate Summed Output 1 + 2 on Detachable Terminal Block
HR-MP2A
Dual Microphone Preamplifier
- Two Independent Microphone Preamplifiers
- Balanced XLR Microphone Inputs
- Independent Controls for Each Preamplifier
- Front-Panel 20 to 60 dB Gain Control
- Switch-selectable 48 Volt Phantom
- Switch-Selectable 15 dB Input Pad
- Switch-Selectable Polarity Reversal
- Switch-selectable 48 Volt Phantom for Both Preamplifiers
- CLIP Indicators for Peaks 3 dB Below Clipping
- Balanced Line-Level Outputs
- Each Output Allows Balanced or Unbalanced Connection
- Each Preamp Output on ¼” TRS or Detachable Terminal Block
- Separate Summed Output 1 + 2 on Detachable Terminal Block
RU-MLA2
Dual Microphone / Line Preamplifier
- Two-channel Audio Preamplifier
- Front Panel XLR Input / Output Jacks
- Detachable Input / Output Terminal Blocks
- Switch-selectable Mic or Line Inputs
- Switch-selectable Mic Gain and Phantom
- Gain Trim on Each Input
- Each Output Switch-selectable Mic or Line
RU-MLA2T
Dual Microphone / Line Preamplifier
- Two-channel Audio Preamplifier
- Front Panel XLR Input / Output Jacks
- Detachable Input / Output Terminal Blocks
- Switch-selectable Mic or Line Inputs
- Switch-selectable Mic Gain and Phantom
- Gain Trim on Each Input
- Each Output Switch-selectable Mic or Line
ST-MPA24
Dual Microphone Phantom Adapter - 24 V Adjustable
- Add Phantom Powered Mics to Standard Inputs
- Two Phantom Adapters in One Module
- P24 per IEC 61938
- Phantom Conversion with Full Frequency Response
- Phantom Voltage Adjustable Up to IEC Standard 24 Vdc
- Highly-Filtered Phantom Power
ST-MPA48
Dual Microphone Phantom Adapter - 48 V
- Phantom Adapter for Two Mics
- 48 Vdc Fixed Phantom Voltage
- P48 per IEC 61938
- Operates From External 12 V Battery or 24 V Power Supply
- Phantom Conversion with Full Frequency Response
STM-1
Microphone Preamplifier - 50 dB Gain
- High or Low Impedance Input Mic Preamp
- Fixed 50 dB Gain for Consistency
- Balanced or Unbalanced Output
- Phantom Capability
- RF-Filtered Inputs and Outputs
- Excellent Performance
- STICK-ON® Convenience
STM-2
Adjustable Gain Microphone Preamplifier - 35 to 65 dB Gain
- Low-Noise Mic Preamp
- Adjustable Output Level
- High or Low Impedance Mic Inputs
- Mic Input to 2 Line Outputs
- Two Balanced or Unbalanced Outputs
- Phantom Capability
- RF-Filtered Inputs
STM-2X
Switched Microphone Preamplifier - 35 to 65 dB Gain
- Quiet Switching of Condenser Microphone
- Remote Microphone Soft-Switching
- Switch a Mic-Level Source to a Mic or Line Level Output
- Remote Toggle Switch or Push-to-Talk Button
- Adjustable Preset Gain on Microphone Source
STM-3
High Gain Microphone Preamplifier - 45 to 75 dB Gain
- Low-Noise, High-Gain, Mic Preamp
- Adjustable Output Levels
- High or Low Impedance Mic Inputs
- Mic Input to Line Outputs
- Two Balanced or Unbalanced Outputs
- Phantom Capability
- RF-Filtered Inputs
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